Isabel del Río

Isabel del Río is a graduate in Product Design, has a degree in Fine Arts and a Master’s degree in Advanced Studies in Art History. She is currently working on her doctoral thesis in design history at the University of Barcelona. She is a professor and works as a researcher and documentarist of industrial objects.

Isabel Campi

Isabel Campi holds a degree in Art History and a doctorate in Design from the University of Barcelona and one of the most renowned specialists in theory and history of industrial design. She is a writer and author of several books in this discipline. She currently chairs the Fundación Historia del Diseño (History of Design Foundation).

Ana Domínguez Siemens

Ana Domínguez has a degree in Art History and specialized in Design from London’s Sotheby’s Institute of Art. She is a curator of exhibitions and regularly writes for different national and international publications.

Santi Barjau

Is a PhD in Art History from the University of Barcelona. He is a specialist in posterism of the first half of the 20th century and Catalan modernist architecture. He currently works at the City of Barcelona’s Historical Archive.

Daniel Giralt-Miracle

Is a critic, art historian and professor. He was the director of Barcelona Museum of Contemporary Art (MACBA) and commissary general of the International Year of Gaudí in 2002. Since 2011 he has been part of the Consell de Cultura de Barcelona (the city’s Council of Culture).

Mauricio Wiesenthal

Is a writer, oenologist (winemaker) and photographer of German heritage. He has been a professor and lecturer in different universities. Author of short stories, essays and biographies, he has also directed several encyclopedic works.

Ramón Úbeda

Is a journalist and designer. A multifaceted character, he has collaborated with the most important Spanish and international magazines. He has also published numerous books and has been the curator of different exhibitions.

Antonio Solaz

Graphic designer and illustrator. From a remarkable technical versatility, his marked style means his works can be recognized in very different projects, for both public and private companies. In his book Pintapalabras he assembles part of this personal endeavor. Since 1996 he has been collaborating uninterruptedly with Andreu World.